blue-satsuma:

tennantarse:

Into the Darkness: 2013//The Wrath of Khan: 1982

OH LOOK AT THAT I’M CRYING 

bigmamag:

the truth is… i’m gonna miss you

I CAN’T. KIRK IS WAITING ALL EXPECTANTLY FOR SOME KIND OF SIGN THAT SPOCK GIVES A SHIT THAT THEY’RE BEING PUT ON DIFFERENT SHIPS, AND WHEN HE THINKS HE DOESN’T GET IT HE WALKS AWAY, EXASPERATED.

BUT SPOCK IS JUST SHOCKED THAT JIM WOULD MISS HIM. HIS MOUTH FALLS OPEN, HE DOESN’T KNOW WHAT TO SAY AND HIS BRAIN IS PROCESSING A MILLION DIFFERENT THINGS RIGHT NOW, LIKE HOW JIM COULD BE COMPLETELY PISSED AND DONE WITH HIM ONE MINUTE, TURN AROUND AND STILL WANT HIM AROUND THE NEXT.

LOOK AT SPOCK’S FACE AS JIM WALKS AWAY. HE DOESN’T KNOW WHAT TO DO WITH THE FEELINGS INSIDE OF HIM. THIS WHOLE MOVIE WAS ABOUT MISUNDERSTANDINGS AND LONGINGS THAT NEITHER OF THESE EMOTIONALLY STUNTED INDIVIDUALS CAN EXPRESS CORRECTLY UNTIL IT’S ALMOST TOO LATE, AND EVEN THEN THEY STILL KIND OF SUCK AT IT.

kari-kurofai:

ironnman:

why is everyone IGNORING THIS

It’s post-traumatic stress, and Rhodey can tell.

Tony has really retreated after the events of ‘The Avengers’ into his workshop, where he’s building advanced versions of his suits. He has now even has a version of the suit that can latch onto him in individual pieces … anytime, anywhere. As he starts to realize, it’s basically because he doesn’t want to be out of the suit. He’s seen a lot of things in ‘Avengers’ and has encountered a lot of powerful people, much more powerful than he is, and has made a lot of enemies. 

“He’s been building nothing but suits and suits and suits and suits- it’s an obsession.”- Joss Whedon

halfhalfling:

Okay, so this is “it’s really late early and Lauren is very tired but she just has to rant about her favorite character because she can no longer contain her feels” time. Ignore if you like!

This is Crowley’s face right after he’s offered his soul in the bidding and gets laughed at, and then again after being told he has no soul. This isn’t the face of someone who’s angry. This isn’t the face of someone putting up a sarcastic or defiant front. Those are what we might expect from Crowley; they’re kind of his default. But that isn’t what we get in this moment.

This is the face of someone who’s genuinely hurt. Crowley knows it’s true. He sold his soul hundreds of years ago; and in the meantime has been every bit a soulless bastard as a man (or demon) can be. It’s how he got to be King of Hell. But that doesn’t mean he doesn’t hate that about himself. I think the reason Crowley wanted so desperately to become King in the first place is because getting feared and respected is the only thing he ever wanted in life, and the only thing he never got.

He sold his soul for three more inches below the belt. Why? Because he thought it would bring him the attention and respect he’d been seeking all his life as a two-bit tailor. We don’t know how that worked out for him but we can assume it wasn’t great. Why else would he be so singularly driven that he could singlehandedly go from a punk-ass crossroads demon, to the King of motherfucking Hell itself?

In a way, he became a demon just so this sort of mockery would never happen again. So people would take him seriously, and he wouldn’t be laughed at anymore. And then this happened. Tablet aside, I don’t think that man was going to make it out of that building alive. He shamed Crowley. No one does that and lives. Not anymore. His (after)life is now his revenge.

Tricey Appreciation Post